
lululemon × VolShop
A retail collaboration in Tennessee orange, filmed among the racks and fans at VolShop.
Browse the films, short-form edits, podcast clips, and full episodes.

A retail collaboration in Tennessee orange, filmed among the racks and fans at VolShop.

A crew, an excavator and a stand of trees. A small-business portrait filmed on the job.

A portrait of the people behind the cleaning company, from work in a customer’s home to a conversation on the couch.

A running-shoe spot that moves from a lakeside warm-up into a run through the park.

An in-store product walk-through filmed in the grooming aisle at Walmart.

A close look at the weights and machines on the Arsenal showroom floor.

A walk through the training floor follows the Arsenal mark from shirt to machine.

Matching shirts, shared sets and a spotter at the ready in this apparel campaign.

A city skyline gives way to a bench session and the label’s yellow-lettered tee.

A text-led training film follows the crew between the parking deck and the gym.

A downtown run and a rooftop set lead into an illustrated closing card.

A fast cut between curls, presses and the bull graphic on the collection.

A cable circuit and a change of shirt give this vertical cut its rhythm.

A short-form supplement brand film.

Inside the Arsenal Strength warehouse.

A film from the Freedom 250 collection in Washington, D.C., tracing the Navy’s history through sailors, ships and flight.

Public appearances, parade footage, and ceremonial moments in a Freedom 250 program edit.

A historical film on the founding and development of the U.S. Army.

A program film bringing together stage performances, crowds, and national landmarks.

The National Memorial Day Observance, with remarks and a musical performance.

Speakers, music, and a view across the National Mall at the National Jubilee of Prayer, Praise & Thanksgiving.

The Washington Monument, historical imagery, and the flag in a film on American identity.

A historical and contemporary montage of service members and military aviation.

Performances, marching formations, and a flyover mark the Army’s 250th anniversary.

Sexton describes REACH’s recovery network while the film cuts to the people gathered at the event.

Outside The Way, Sexton talks about the faith-based recovery program and the people who come through its doors.

Voices and instruments share a church room in the Dominican Republic for this filmed worship performance.

Acoustic guitar and a small choir share the room for this six-minute performance recorded in the Dominican Republic.

A live worship performance in the Dominican Republic, moving between the keyboard, the singers and the room.

A vertical performance teaser shot outside a white-columned church.

Tight performance shots and a low-angle exterior close this release-day cut.

A lake, late daylight and a Tennessee cap set the scene for this outdoor performance.

A doorway and a dim bedroom anchor this intimate vertical performance.

A seated guitarist in window light, framed in profile for this performance cut.

A direct-to-camera performance with the river and a wall of trees behind the artist.

An orange cap and a fixed riverside frame for a short outdoor performance.

Warm and cool light alternate as the performance moves through a concrete interior.

A curved concrete ledge fills the foreground of this indoor performance.

Tuck leans into an arched doorway with greenery at the edge of the frame.

A tighter view follows the artist’s gestures inside a shaded archway.

A slow move from a full-length frame to a close portrait against pale concrete.

A black jacket and a pale wall keep the attention on Tuck’s delivery.

A low angle follows the gestures of a courtyard performance.

Branches frame a wide view of the performance against a curved concrete wall.

Tuck performs seated in the narrow band of shade beneath an overhang.

A close, low angle looks past the performer to the edge of the structure above him.

The camera looks up the side of a sunlit wall to Tuck seated against the sky.

A front-on view of Tuck on the ledge, with hard sunlight and blue sky.

Tuck stands above the city in a checked shirt, the skyline behind him.

Performance gestures break the horizon in a low-angle rooftop portrait.

A seated rooftop performance against passing clouds.

A distant figure approaches the camera from the far side of a wide city frame.

A performer crosses a wide composition with the city towers behind him.

A brief full-body silhouette against the pale evening sky.

A low angle holds Tuck alongside the distant city towers.

A seated silhouette performs as the light fades over the city.

The camera looks up to Tuck seated on a projecting concrete ledge.

Vows beside the waterfall, with friends and family gathered under the trees.

An outdoor ceremony in the green hills, followed by an evening on the dance floor.

A church ceremony, portraits on the lawn and an evening dance beneath a red canopy.

A winter trip across Iceland in wide screen, from the ice to the black-sand shore.

A travel diary stitched from train rides, coastal sunsets and friends in motion.

Eight seconds of fall color, fog and friends out on a mountain ridge.

Roadside mountains and an evening by the water give way to a figure silhouetted at dusk.

A shore-level opening gives way to aerial views of water, ridgelines and open roads.

A swim beneath the falls, a burst of fireworks and the last of the daylight.

A glimpse of the crew in Iceland leads into the finished shots from the trip.

A quiet pause at dusk, looking out through the trees as the last light fades.

The 25-second Iceland film that opens the portfolio.

A vertical recap from The Way, cutting between the stage and the people gathered for the event.

A training session with Michael Dean, framed against the Arsenal Strength wall.

A short outdoor training cut, filmed in warm light on the lakeshore.

A silhouetted figure and a few lines of type make the case for starting to film.

A summer diary of lake jumps, city signs and roadside detours.

Michael Dean opens the Lawn Mower 5.0 by the fireplace in a holiday edition of his grooming review.

A stage excerpt on surrender and the search for peace, cut for a vertical screen.

The host introduces a series through the parable of the lost sheep.

A guest recalls phoning the teacher who showed him kindness years earlier.

A guest reflects on his personal experience of faith and identity in a captioned interview.

A single-camera studio excerpt.

A guest tells his story in a captioned interview.

A conversation filmed with handheld microphones in a living room.

A reading from the same living-room session.

Hayden shares his recovery story on The Way.

Denver designer Justin Great joins Trevor Lovingood for episode 97.

Luis Ortiz talks about hearing God’s voice for the first time in a jail cell.

The official music video from Cyan I.

Michael tells his story in his own words.

Michael reviews the summer White Hot edition of the trimmer.

An arm workout followed by Michael’s post-workout meal.

Michael walks through meal prep with calories and macros.

The published Christmas comparison, filmed beside the fireplace.
Tell me what you’re making, where it’s happening, and when you have it in mind.